![]() He initially refused to create a tapestry, but he learned the craft from Royo, and they began producing multiple works together. In 1974, in his late 70s, Joan Miró created a vast tapestry for the World Trade Center in New York City working with Catalan artist Josep Royo. Also during the 1960s, Catalan architect José Luis Sert built a large studio for Miró on the Spanish island of Majorca that fulfilled a lifelong dream. One series of sculptures was created for the garden of the Maeght Foundation modern art museum in southeastern France. The French National Museum of Art conducted a major retrospective of Joan Miró's art in 1962.Īfter the UNESCO project, Miró returned to painting executing mural-sized efforts. It won the Guggenheim International Award from the Solomon R. Miró created a ceramic wall for the UNESCO building in Paris in 1958. One of the first was a mural for the Terrace Plaza Hilton Hotel in Cincinnati, Ohio completed in 1947. He quickly became one of the most celebrated artists around the world, and Joan Miró began completing a wide range of monumental commissions. After the war ended, he divided his time between Barcelona and Paris. Miró moved back to Spain during World War II. ![]() His work also became notable for obvious erotic and fetishistic references.įigure, Dog, Birds (1946). He used naturalistic objects such as birds, stars, and women rendered in a surreal fashion. ![]() At the end of the exhibition in 1938, the mural was dismantled and ultimately lost or destroyed.įollowing this shift in his work, Joan Miró ultimately returned to a mature, idiosyncratic style of Surrealism that would mark his work for the rest of his life. His most explicitly political piece was the 18-foot-high mural commissioned for the Spanish Republic's pavilion at the Paris International Exhibition of 1937. Influenced by the Spanish Civil War, his work sometimes took on a political tone. In addition to the representation of the animal, a comet appears in the sky.įor a period in the late 1920s and the 1930s, Miró returned to representational painting. He said that he was inspired to create the canvas when he saw a hare dart across a field in the evening. It features the Catalonia landscape that Miró loved from his childhood. Shortly after the dream paintings, Miró executed Landscape (The Hare). The famed French poet Andre Breton referred to Miró as "the most Surrealist of us all." He worked with the German painter Max Ernst, one of his best friends, to design sets for a Russian production of the ballet Romeo and Juliet. Miró encouraged the use of "automatic drawing," letting the sub-conscious mind take over when drawing, as a way to free art from conventional methods. In 1924, Joan Miró joined the Surrealist group in France and began creating what were later called his "dream" paintings. Miró had a solo exhibition in Barcelona in 1918, and a few years later settled in France where he had his first Parisian exhibition in 1921. The painting was owned for a time by Pablo Picasso. Nubiola was a professor of agriculture at the School of Fine Arts in Barcelona, Spain. His painting Portrait of Vincent Nubiola shows the influence of both. The Fauvists and Cubists influenced Miró's early work. The experience gave him a more powerful feeling for the spatial nature of his subjects. There, he studied with Francisco Gali, who encouraged him to touch the objects he would draw and paint. ![]() Joan Miró's parents allowed him to attend a Barcelona art school after he recovered. The Catalonia landscape around Montroig became very influential in Miró's art. His parents took him to an estate at Montroig, Spain for recovery. After working for two years as a clerk, he had a mental and physical breakdown. Miró's parents insisted that he attend a commercial college. Growing up in Barcelona, Spain, Joan Miró was the son of a goldsmith and watchmaker.
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